I finished this weekend and while I'm quite pleased by the way it turned out, I'm frustrated by the difficulties in photographing it. I have two choices in the dim winter light--a little too dark or the blazing effect of a camera flash reflecting off taffeta. I'm hoping to get better lighting this weekend, even if I have to haul Tillie outside.
Here's the bodice (displaying a moderately blinding flash effect) without the sleeves.
And here are the sleeves:
The elastic in the top rides comfortably just above the elbow, allowing the sleeves to billow out. Back in the day, the sleeves had ties instead of elastic, of course.
The Victorian silhouette is different than a modern day silhouette, so the bodice is padded above the chest.
The pad looks like this and is attached to the armhole. It's made of two layers of batting in a cover.
And since Tillie's jacket is open, this is a good time to take a look at the chemisette, which is kind of like a Victorian dickie. It allows for a collar and blouse effect without the bulk of an actual blouse.
The chemisette ties at the sides:
Here's the back of the dress. I love the point.
The center back, the side seams and the front darts are boned for the bottom 6-8 inches, to help the bodice keep it's shape.
I can't wait to post some photos of Rachel modeling the dress.
Now that I'm done with this project (except for the hem), I'm forging on into men's wear territory. The next project is a pair of Victorian pants to go with my husband's frock coat. I hope to finish by this weekend. Wish me luck.